Audio Effects, Mixing and Mastering by Metin Bektas
By Metin Bektas
This publication is a short advisor to results, blending and learning for rookies with a spotlight on Cubase. the 1st bankruptcy highlights the main frequent results in audio creation comparable to compressors, limiters, equalizers, reverb, hold up, gates and others. you'll find out about how they paintings, whilst to use them, the tale in the back of the parameters and what traps chances are you'll come upon. The bankruptcy additionally incorporates a speedy peek into automation and what it could possibly do. within the moment bankruptcy we concentrate on what constitutes an exceptional combine and the way to accomplish it utilizing a transparent and understandable procedure. this is often by means of a glance on the getting to know chain that might support to shine and push a combination. The consultant is sprinkled with precious information and historical past info to make the training adventure extra vibrant. Readers drawn to the mental results of song are invited to maneuver directly to the booklet "Curiosities of the Mind".
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Additional info for Audio Effects, Mixing and Mastering
Reverb and delay are great tools to create a sense of depth in your mix. So before you start applying them, think about which of your tracks are close and which are far from the audience. The farther back an instrument is, the higher the value of the mix parameter should be. You can boost this sense of depth by making a more pointed high cut for the instruments in the back (remember, if sound travels a greater distance in air, it will lose more of the high frequency content). A typical set-up for a pop / rock song is: vocals and solo instruments in the front, guitars and drums in the middle, everything else in the back (especially strings and pads).
In A Nutshell - Chorus The chorus effect simulates a choir. It gives the impression that multiple instruments are playing instead of just one. It is produced by creating a duplicate and delaying the duplicate by a varying amount. This also creates a varying pitch shift. Apply it in a subtle manner unless you are producing psychedelic music. Perfect for chorusing are the tracks that make up the background: background vocals, strings, pads and rhythm guitars.
So it's buy a note, get a chord free. You might wonder why it is that we don't seem to perceive the additional notes. Well, we do and we don't. We don't perceive the overtones consciously because the amplitude, and thus volume, of each harmonic is smaller than the amplitude of the previous one (however, this is a rule of thumb and exceptions are possible as any instrument will emphasize some overtones in particular). But I can assure you that when listening to a digitally produced note, you'll feel that something's missing.